Sweet Country – Photo courtesy of Samuel Goldwyn Films. (CR: Mark Rogers)
A Quiet Place, a highly anticipated thriller starring John Krasinski and Emily Blunt, opens nationwide Friday. That film is getting a ton of great word of mouth, but on the latest episode of CinemAddicts we spotlight Sweet Country, an excellent film that also hits theaters that weekend.
Sweet Country, set in 1929 Australia, centers on an Aboriginal man named Sam (Hamilton Morris) who kills another person in self defense. Believing escape is the only way, he runs away with his wife into the Outback and is tracked down by his kindhearted boss (Sam Neill) a principled lawman (Bryan Brown). Filled with beautiful compositions, stellar acting and self-assured directing from Warwick Thornton, Sweet Country is a must see film, especially if you love Westerns.
Also covered in the podcast is the recently released Sharon Stone flick All I Wish and The House of Tomorrow, a Shout! Factory release that hits theaters April 27. We also delve into some of the bigger releases coming out this month including the aforementioned A Quiet Placeand You Were Never Really Here. Take a listen to the latest episode of CinemAddicts below!
One of the most anticipated films this year is Ralph Breaks The Internet: Wreck-It Ralph 2 and hopefully the flick will feature the same passion for 8-bit gaming as the original. Wreck-It Ralph, which received an Oscar and Golden Globe nomination for Best Animated Feature, was released back in 2012 and it’s been a long timing for a sequel!
This time out video game antagonist (but with a heart of gold) Ralph (John C. Reilly) helps Vanellope von Schweetz (Sarah Silverman) navigate the perilous world wide web in search of a replacement to save Vanellope’s game Sugar Rush. The flick also features the voice talents of Taraji P. Henson, Kristen Bell, Alan Tudyk, andMandy Moore. Check out the teaser trailer and tell us what you think!
Ralph Breaks The Internet: Wreck-It Ralph opens nationwide November 21.
The bad news with episode 80 of CinemAddictsis that Jennifer Lawrence’s latest film Red Sparrow absolutely misses the mark. Playing a ballerina turned intelligence agent who attempts to extract information from a CIA agent (Joel Edgerton), Lawrence does her best in the role but the narrative is a muddled mess. Also covered on the show is the disappointing sci-fi thriller Annihilation which, though it also features a capable lead performance from Natalie Portman, also ends up a big disappointment.
Smaller fare turned out to be my cinematic recommendations in this installment, as the motel thriller Josie, headlined by Dylan McDermott and Sophie Turner, had much more dramatic gravitas than I was expecting. Featuring standout work from McDermott as a loner haunted by his past and Turner as the young woman who changes his fate, Josie is a must watch (especially if you love twisty pulp noir or generally well done dramas) when it debuts in theaters and On Demand March 16. I Kill Giants, a flick based on the Joe Kelly graphic novel that hits theaters and On Demand a week later, is also highly recommended.
To listen to the latest episode of CinemAddicts, which is available on iTunes, click on the media bar below:
Seen last month in the first rate suburban nightmare Mom and Dad, Nicolas Cage continues his run of excellent work with Looking Glass. Directed by River’s Edge filmmaker Tim Hunter, the feature centers on Ray and Maggie (Nicolas Cage, Robin Tunney) a dysfunctional couple who buy a motel that’s housed in a mysterious, and possibly dangerous, small town.
The motel has a crawlspace that connects all of the rooms in the motel, and thanks to double sided mirrors Ray is able to explore his voyeuristic tendencies. Ray’s thrills are short-lived after a murder takes place on the property, and a sheriff (Marc Blucas) believes Ray might be the number one suspect!
Cage is at his unhinged best with Looking Glass, and Tunney (just like Blair in Mom and Dad) proves she’s more than up to the task to verbally spar with the actor (their scenes together are electric). Hunter infused Looking Glass with a graphic comic book, B-movie style aesthetic, and that pulpy flavor absolutely works with Looking Glass. Coming out February 16 in theaters, On Demand, and Digital HD, Looking Glass is a must see for Cage fans and, more importantly, devotees to well executed, if not lurid, thrillers.
Other films discussed on CinemAddicts is the Rebecca Hall/Dan Stevens relationship drama Permission and the punk rock feature Bomb City. Both open February 9. Take a listen below to the latest episode of CinemAddicts!
As proven with Miss Sloane,Jessica Chastain proves that she’s at home with rapid fire dialogue, and now she teams up with the master of that aesthetic with Oscar winning scribe Aaron Sorkin. His feature directing debut Molly’s Game is the true story of how skier Molly Bloom (Chastain) became the operator of a high stakes poker game in Los Angeles and New York. Also the author of a bestselling book based on her poker days, Bloom was also in trouble with the law, and Idris Elba co-stars as the lawyer who helps Bloom through the legal process. The picture features standout work from Chastain and hopefully she’ll be remembered come Oscar nominations time.
Also covered on the latest episode of CinemAddicts is Blame and American Folk, two indie January releases that also deliver Grade A narratives. Our divergent opinions on Call Me By Your Name (I loved it) is also covered on the show – take a listen below and feel free to comment!
The great news about this episode of CinemAddicts is there are a ton of great movies that are being reviewed. November featured the top releases Lady Bird and the transcendent Call Me By Your Name, and both films are covered on the show. Unfortunately, Guillermo del Toro’s The Shape of Water, which is receiving its share of excellent reviews, simply didn’t float my boat (it doesn’t reach the cinematic heights of Pan’s Labyrinth and The Devil’s Backbone).
Although there’s a formal review embargo on The Post, reactions to the film have been allowed. The bottom line is that this is Steven Spielberg’s strongest film in years (possibly since Munich) and features solid work from Meryl Streep and Tom Hanks. The Post is this year’s frontrunner for Best Film, and don’t be surprised if Spielberg wins a Best Director Oscar.
Other films covered on the program include Molly’s Game, which features an A-list performance from Jessica Chastain. and two excellent Westerns (The Ballad of Lefty Brown, Hostiles). Check out the latest installment of CinemAddicts below!!