There are obviously various elements that make an acting performance believable. The week to week schedule of television leads to the continuous growth of such shows as Chicago Med, and though a great deal of love should be shown to prodigious TV icon Dick Wolf and a solid writing staff, credit should also go to the ensemble who can often take that material to another level.
Case in point is Chicago Med’s Nick Gehlfuss (”Dr. Will Halstead”) and Torrey DeVitto (”Dr. Natalie Manning”), actors who share a fruitful collaboration on the show.”It’s not a full band unless you allow it to be,” said DeVitto. “And some people don’t, and some will. Working with Nick, we definitely have joined a band together.”
“When you have veterans like Oliver Platt and S. Epatha Merkerson - just by watching their work you can learn so much,” adds Gehlfuss. “So when I’m not working or I’m on set . . . I’ll go and I’ll watch.”
In the video below, DeVitto and Gehlfuss talk about their acting experiences on Chicago Med.
To check out video of Torrey DeVitto elaborating on her love for the Monica Bellucci films Irreversible and Malena, please go to our sister site Deepest Dream. Chicago Med airs Tuesday evenings on NBC (9/8c).
Director Jeremy Saulnier, whose 2013 feature Blue Ruin was met with a healthy share of acclaim, returns with Green Room, a picture which he describes as a “siege thriller.”
The story centers on The Ain’t Rights (Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner), a struggling punk band that perform at an Oregon backwoods club filled with a predominantly neo-Nazi audience. After witnessing a tragic incident backstage, the group are held by club owner Darcy Banker (Patrick Stewart) and await their seemingly tragic fate.
Patrick Stewart’s affiliation with the Star Trek and X-Men franchises was not Saulnier’s prime motivation in hiring the actor. Simply put, Stewart is just a great actor who fit the bill.
“His stature, of course, is deserved as a craftsman. But as far as all the other other affiliations, this whole film is about shedding affiliation and becoming who you are,” said Saulnier. “Patrick just wanted to try something new and (he) was shaking things up. I think he was attracted to playing a villain but not just to be a sadistic, evil villain but (play) someone with a brutal pragmatism.”
Click on the media bar below to hear Saulnier explain how Platoon, Apocalypse Now, and River’s Edge were cinematic inspirations for Green Room.
Green Room is now playing nationwide. For our review on Green Room, please check out CinemAddicts, a movie review podcast that’s co-produced by Hollywood Outbreak.
It’s the same old story this weekend as The Jungle Book’s $42 4 million weekend easily bested all comers. Newcomers Keanu and Mother’s Day also performed below expectations, with Ratchet & Clank receiving the lowest marks with a DOA type of weekend. Here’s the top 10:
1. The Jungle Book - $42.4 million with a worldwide gross of $687 million. Let’s call this movie a “hit.”
2. The Huntsman: Winter’s War - Life sans Kristen Stewart isn’t good for this sequel, which managed just $9.39 million. With just $43 million domestically on a $115 million budget, the Huntsman’s arrow definitely missed its mark.
3. Keanu - This kitty comedy film Keegan-Michael Key and Jordan Peele has a mediocre debut with $9.35 million
4. Mother’s Day - Even with Julia Roberts and Jennifer Aniston, this feel good comedy from Garry Marshall is a misfire with a sub-par $8.3 million opening.
5. Barbershop: The Next Cut - $6.13 million
6. Zootopia - $5 million
7. Ratchet & Clank - The film, based on a popular video game franchise, absolutely tanks wi \th just $4.8 million.
8. The Boss - $4.25 million
9. Batman v Superman: Dawn of Justice - Even with $862 million worldwide, the film was expected to reach the $1 billion mark with relative ease. That’s simply not the case.
10. Criminal - Kevin Costner action thriller makes $1.33 million and with just $13 million in domestic business, it’s been a huge disappointment.
The TCM Classic Film Festival, a haven for movie buffs from all over the world, has set up shop in Hollywood through May 1st, and stars such as Gina Lollobrigida, Elliott Gould, Stacy Keach, and Faye Dunaway are all taking part in the celebration.
Along with the fest, a big focus of TCM is the fall launch of Film Struck, a streaming service that is a collaboration with the folks over at Criterion Collection.
During this week’s TCM Classic Film Festival press conference, held at the TCL Chinese Theatre, TCM general manager Jennifer Dorian described Film Struck as an “immersive” experience which will spearheaded by trusted TCM Senior Vice President of Programming Charles Tabesh.
“Charlie is going to be programming it with the same programming team that we have at TCM,” said Dorian. ” So the deep, curatorial knowledge, the expertise, the appreciation, the mining and finding bonus content and rare footage, audio commentaries, photo galleries and articles and reviews - it’s going to be a deep immersive experience.The Criterion Collection people are amazing, in their own right, at curation and research and restoration. So this is a very happy (collaboration).”
Tabesh added that extra content on Film Struck will feature hosts (”in many instances, if not all”) to help introduce and/or provide commentary for the films as well as other “ways of providing context thoughtfully.” Such indie studios as Janus Films, Icarus, Kino, Zeitgeist, Flicker Alley, and Icarus will have their movies featured on Film Struck, with Hollywood studios including Warner Bros. (the studio’s Warner Archive Collection is the gold standard for silver screen classics) also providing movies for the streaming service.
For a teaser trailer and more information on Film Struck, please go to its official site.
Meryl Streep has proven with Into The Woods and Ricki and the Flash that she can easily carry a tune, but in her new film Florence Foster Jenkins she’s singing a different tune. The film, directed by Stephen Frears (The Program, The Grifters), is the true story of the titular protagonist, a New York socialite who believes she has a beautiful voice.
Unfortunately, Florence Foster Jenkins was not blessed with a melodious tone, and it’s up to St. Clair Baufield (Hugh Grant), her husband and manager, to make sure she doesn’t fall flat on her face when she holds a public concert at Carnegie Hall. The film, co-starring Rebecca Ferguson, who made quite a splash last year in Mission: Impossible 6, and Simon Helberg, opens August 12. Check out the trailer below and tell us what you think!
Released this week on Blu-Ray and DVD, Jane Got A Gun (R, 98 minutes) is a Western set in 1871, as mother Jane Hammond (Natalie Portman) is trying to raise a family with her loyal husband Bill (Noah Emmerich).
Unfortunately Bill is saddled with an outlaw past that comes back to haunt him, as he returns to his New Mexico territory area home with several bullets lodged in his battered body. With a group of cutthroats led by John Bishop (Ewan McGregor) ready to eliminate Bill and his kin, Jane turns to Dan Frost (Joel Edgerton, who also serves as the film’s co-writer), a Civil War vet who has his own ties with Jane.
The picture had a rough going in getting made, as director Lynne Ramsay (We Need To Talk About Kevin) left the project for creative reasons. Gavin O’Connor, who previously worked with Edgerton in 2011’s Warrior, replaced Ramsay and has done a more than admirable job with this Western. Michael Fassbender and Bradley Cooper were initially involved in the project, but they also moved on and were replaced by McGregor and Cooper.
Even with its checkered past, the film features solid work from Portman and especially Edgerton, whose character actually has the biggest arc in the narrative. The feature’s biggest draw, along with the slam-bang action that anchors the film’s final act, is Mandy Walker’s cinematography skills. Walker, whose previous director of photography credits include the underrated Mia Wasikowski flick Tracks and the Baz Luhrmann epic Australia, brings a wide open, cinematic scope to the proceedings. Whether it’s watching Jane ride into a broken down, one-horse town to stock up on guns or taking in the beautiful vistas that surround Jane’s domicile, the film has its share of eye catching compositions. Last but not least, it’s also fun hearing the lead actors convincingly pull off Southern accents!
Unfortunately, the Blu-ray doesn’t have any special features, but if you’re a Western fan and love Portman and Edgerton’s work, then Jane Got A Gun should be worth your time. To hear my discussion of Jane Got A Gun on CinemAddicts, click on the media bar below (review starts at 51:00).
A new episode of the movie review podcast CinemAdddicts is out, and to top things off we cover the latest Marvel release Captain America: Civil War. Though I’ve been a diehard comic book fan since the tender age of 5, I was slightly disappointed by Avengers: Age of Ultron and Iron Man 3. Thankfully Captain America: Civil War, which currently has a 97% score on Rotten Tomatoes, is one of Marvel’s finest outings and also sets the table for future movies headlined by Black Panther (Chadwick Boseman) and the latest iteration of Spider-Man (a perfectly invested Tom Holland).
During the second segment we review Papa: Hemingway in Cuba, a flick which centers on Ernest Hemingway’s (Adrian Sparks) final years in Cuba. Giovanni Ribisi is the Miami based reporter who befriends Hemingway, with Joely Richardson co-starring as Mary Hemingway. CinemAddicts co-host Anderson Cowan and I have vastly differing opinions on the film (I loved it), which is based on late writer Denne Bart Petitclerc’s close friendship with the Hemingways.
One of my favorite films this year is The Wait, an Italian film about a mother (Juliette Binoche) who’s mourning the unexpected death of her son. When the son’s girlfriend (Lou de Laage) arrives to his Sicily domicile, the mother keeps her child’s death a secret. The picture’s essentially a two-hander that features excellent performances from the leads. Piero Messina, an assistant director of the Oscar winning film The Great Beauty, makes his feature directing debut in this film, which also features arresting visual work from cinematographer Francesco Di Giacomo.
Anderson’s streaming pick of the weak is Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau and my Blu-ray choice is the recently released Western Jane Got a Gun which stars Natalie Portman and Joel Edgerton.
Captain America: Civil War opens nationwide May 6, with Papa: Hemingway in Cuba and The Wait hitting select theaters April 29.
The dynamic comedy team of Keegan-Michael Key and Jordan Peele, who starred for five seasons on the Comedy Central hit sketch comedy series Key & Peele, take their great partnership to the big screen starring in the comedy Keanu, opening this Friday. Key and Peele were very hands on making the film, with Peele and Key also serving as the film’s producers (Peele also co-wrote the script).
While starring together on Key & Peele both worked hand in hand together, however making Keanu was a much different working experience. (Click on the media bar below to hear Keegan-Michael Key)
Academy Award winner George Clooney reunites with friend and fellow Oscar winner Julia Roberts in the financial drama Money Monster. The film is directed by Jodie Foster, whose previous directing directing credits include Home for the Holidays and Little Man Tate. Clooney is also an accomplished filmmaker, as he’s the directed such highly acclaimed films as Good Night, and Good Luck and The Ides of March. Working with Foster was a first rate experience for Clooney, and he explained why they share a similar approach to directing. (Click on the media bar below to hear George Clooney)
Money Monster opens in theaters May 13.
Posted by: AC
Greta Gerwig stars in writer/director Rebecca Miller’s Maggie’s Plan, a New York set comedy that is a welcome change of pace from her previous work (The Private Lives of Pippa Lee, The Ballad of Jack and Rose). Though Miller’s dramas are arresting in their own right, it’s wonderful to see Miller bring a lighter touch with her latest effort.
Maggie (Gerwig) has a solid career in education and her ethical and focused manner has put her in good stead. Her main desire is to have a family, and her “plan” is to have a pickle business owner (Travis Fimmel) serve as her sperm donor. Complications arise when she falls in love with a self-absorbed anthropology professor (Ethan Hawke) who’s married to an ambitious and exacting academic (a scene stealing Julianne Moore).
The film, which subtly pays homage to Woody Allen’s own New York stories, opens in New York and Los Angeles May 20, and during this week’s press conference I asked Gerwig about her own intentions to direct (she’s writing and directing the feature Lady Bird).
“I knew that there were people who directed,” said Gerwig, who also co-directed the 2008 movie Nights and Weekends with Joe Swanberg and co-wrote the Noah Baumbauch directed Frances Ha and Mistress America. “I knew there were women who directed. It was not like I didn’t know that it existed. But I think in absence of any examples it’s very hard to imagine yourself doing it.”
Click on the media bar below to hear Gerwig talk about how Rebecca Miller has inspired her as a director.