One might expect the set of a movie about the kidnapping and murder of a young girl to be, if not dour, at least serious. But SUSAN SARANDON tells us that the set of PETER JACKSON’S THE LOVELY BONES was anything but a place without laughs. We spoke with SARANDON recently about her work in the film and she talked about how JACKSON likes to keep things light on his set in an effort to engender more creativity. Listen in below:
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